Watched again: V for Vendetta (film version)

A long time ago in a galaxy far away I watched the film adaption of Alan Moore’s V for Vendetta. My memory tells me that I did enjoy it, back then, but that I felt it to be flamboyantly lightweight: all glitz and low on content.

Today, in this galaxy, instead of empty it is eerily current.

On weekend evenings we often watch films or series together. For a long time we watched  a couple of episodes of Dr Who every Friday and Saturday evening. When we ran up against what Netflix Sweden had to offer in that regard we switched back to films. As son gets the final word we have watched some of the Harry Potter and Jurassic Park movies enough times for some of us to get (more than) a bit bored, but we have also watched most of the MCU – Marvel Cinematic Universe – and at times we try to introduce him to various SF classics. He doesn’t always take the bait, but thus evenings of Alien and Aliens, for example. This past Saturday we ended up watching V for Vendetta with him.

While watching it I at times debated the choice. In the deep fall of 2016 V for Vendetta felt like a prophecy come true: the disinformation campaigns, the fabricated fake news; the thinly veiled threats and terror directed at anyone who don’t conform to frankly medieval morals; the construed and staged threats to society, used to whip up fear and hate; the total disrespect for the individual human being. Wasn’t this a bit much for a  13 yo kid? Yet he sat glued to the screen, not even striking up a discussion over bad special effects, plot holes and discrepancies – something he’s otherwise very keen on. His only comment mid-movie was “Trump ought to watch this” (to which I felt a need to answer that “he’d only black-list it”).

Afterwards we talked a bit about what we had just watched – about reigning by terror, about the importance of not allowing people to threaten you into silence, and about the importance to stand up for those who gets silenced and/or threatened, for those who get dehumanised.

He mentioned how this was a more interesting film than the various didactic WWII holocaust stories they have had to watch in school: how the parallels between Nazi Germany and V for Vendetta was glaringly obvious, but that the film made the issues real instead of a staid retelling of some faraway thing that had once happened (and was unlikely to ever happen again, because we all know we’re smarter now… right?).

In short V for Vendetta made it obvious that fear, hate and institutionalised terror is not a thing of the past. It is a real threat, wherever there are humans. And we’re living on the brink of it.

The issues I have with the movie pales in comparison with this. If the film can make people rethink and re-evaluate their roles and responsibilities in regard to society that is a value in itself, regardless of what I personally think of the politics, the methods, or the cheap references (such as to Emma Goldman’s “a revolution without dancing is not at revolution worth having”).

Especially today, with various anti-democratic regimes rising through-out the western world; with the backlash against people who are perceived as “other”; with widespread nostalgia and anti-intellectualism spreading like a cloud out of Mordor anything that highlights empathy and compassion is needed.

It is highly unlikely that V for Vendetta will ever be used as a discussion piece in school. Too many parents would call it out for its violence, all the while their kids are playing Grand Theft Auto or Call of Duty or Assassin’s Creed, and its anti-authoritarian message while they on a daily basis deride their own elected government.

But if we care about equal rights, if we believe that gender or sexual identity, skin colour or heritage or inheritance should not affect either opportunities afforded or obligations demanded by and of the individual – then V for Vendetta is nothing to be afraid of.

Because at this time, in this galaxy, not running with the fear-mongers is important.

Watch it, if you haven’t done so already.

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